Nathalie Djurberg uses plasticine and domestic materials to craft stop-frame animations highly regarded for both their complexity and intensity. Since the late 1990s Djurberg has explored fantasy, dreams and sexuality through her short animated works, which include compelling soundtracks composed by her partner, Hans Berg, and which can cause discomfort via their emotional and psychological effects. Putting down the prey 2008 depicts the relationship between a female hunter in the Arctic Circle and her walrus prey. After disembowelling the beast, she strips and slips into its blubbery hide and dives into the icy waters, decentring the hunter’s perspective in favour of an embodied experience the prey. The myth of the ‘Silkie’ in both Icelandic and Celtic folklore refers to shape-shifting seals, believed to become human by shedding their skins. Here, Djurberg appears to explore the inversion of the myth.